By not limiting himself to any medium, materials, or how they are assembled or

compiled, Mark Signorelli continues to challenge the definition of “art,” as well

as the notion of art as a commodity. His frequent use of absurd and often

whimsical titles, which in themselves are often quite revealing, typically

belie a much more serious subtext for those willing to examine the work further.

 

 

 

 

 

 

 

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